Audio Normalizer

Bring a quiet or inconsistent recording up to a safe, consistent peak level automatically — no manual dB guessing required.

How to use the Audio Normalizer

  1. Add your audioDrop a file onto the page or tap to browse — or press “try a built-in sample” to explore first. Nothing is uploaded; the file is decoded on your device.
  2. Pick a targetChoose Loudness (LUFS) and a platform preset like −14 (Spotify/YouTube) or −16 (podcasts), or choose Peak normalisation for a simple level.
  3. Normalize and verifyPress Normalize. The result card shows the measured loudness before and after, so you can see it land on target.
  4. DownloadPick MP3 or WAV and press Download. You can even listen to the exact file you just saved before you close the page.

About the Audio Normalizer

The Audio Normalizer sets a file to a standard level. Two methods are offered: loudness normalisation to a LUFS target (what Spotify, YouTube, Apple Music, podcasts and broadcasters use) and classic peak normalisation to a dBFS ceiling.

Loudness mode uses the real ITU-R BS.1770-4 / EBU R128 algorithm — K-weighting, 400 ms blocks, absolute and relative gating — the same maths hardware broadcast meters use, not a rough RMS guess. A true-peak limiter then keeps the louder result from clipping.

How the Audio Normalizer works

The audio is K-weighted (a high-shelf at 1.68 kHz and a high-pass at 38 Hz that model human loudness perception), squared and averaged into 400 ms blocks with 75% overlap. Blocks below −70 LUFS are discarded, then blocks more than 10 LU below the remaining average are discarded too; the mean of what is left is the integrated loudness. The tool applies the dB difference to your target, then, if the true peak would exceed your ceiling, runs a 5 ms look-ahead limiter at that ceiling.

Peak mode simply scales the file so its loudest sample equals the chosen level — fast, but two files normalised to the same peak can sound very different in loudness.

gain (dB) = target LUFS − measured integrated LUFS

What people use it for

Podcasts

Deliver −16 LUFS stereo (−19 mono) as Apple Podcasts and most hosts recommend.

Streaming masters

Check how loud a track is against the −14 LUFS reference used by Spotify, YouTube, TIDAL and Amazon.

Broadcast

−23 LUFS for EBU R128 (Europe) or −24 LKFS for ATSC A/85 (US).

Batch consistency

Make a set of clips sit at the same perceived level.

Tips for the best results

  • If the final loudness lands slightly below target, the limiter has engaged — the material is too dynamic to reach the target without distortion.
  • Use −1 dBTP as the true-peak ceiling for streaming; −2 dBTP is safer for lossy codecs.
  • Loudness is measured over the whole file, so trim silence and intros first for the most representative number.
  • Do not normalise to a high target and then upload — platforms may turn it down anyway.

Common problems & fixes

The file was left unchangedIt is silent or below −70 LUFS, the gating threshold.
Peak is fine but it still sounds quietUse LUFS mode — peak level says little about perceived loudness.

Quick facts

StandardITU-R BS.1770-4 / EBU R128 (K-weighting, gating)
Targets−14, −16, −19, −23, −24 LUFS or custom
Limiter5 ms look-ahead true-peak limiter
Peak modeAny ceiling from −12 to 0 dBFS

Frequently asked questions

What is LUFS?

Loudness Units relative to Full Scale — a measure of perceived loudness. 1 LU equals 1 dB.

What is true peak?

The highest level of the reconstructed analogue waveform, which can exceed the highest sample value.

Which target should I use?

Music streaming: −14 LUFS. Podcasts: −16 LUFS stereo, −19 LUFS mono. TV: −23/−24 LUFS.

Will normalising hurt quality?

Changing gain is lossless; only heavy limiting can change dynamics.

What does normalizing actually do?

It measures the loudest peak in your file and applies a single volume adjustment so that peak lands exactly at your chosen target — the whole file is scaled by the same amount, so dynamics aren't changed, only overall level.

Is this the same as a limiter or compressor?

No — normalizing applies one flat gain change. It won't even out a file that has both very loud and very quiet sections; a compressor does that instead.

Your audio never leaves your device

This tool runs entirely in your browser using the Web Audio API. Nothing is uploaded, stored or shared — there is no server to send your file to, so it works offline once the page has loaded.

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