A low-shelf boost centered under 200Hz — the same Equalizer engine, pre-set for an instant bass lift.
The Bass Booster adds weight and depth to music, voices and effects — with controls that matter for bass: where the boost starts, how much “punch” to add in the upper-bass range, and whether to filter out inaudible sub-bass.
Boosting bass is the fastest way to clip a file, so the tool trims overall level automatically as you add boost and ends with a true-peak limiter, giving a louder-sounding result without harsh distortion.
The chain is a second-order Butterworth sub-bass high-pass at 25 Hz (optional), a low-shelf filter at your chosen frequency with the chosen gain, a narrow peaking band at 1.7× that frequency for punch, and an automatic gain trim of one quarter of the boost (capped at 2 dB). A look-ahead limiter at −1 dBTP follows. Removing energy below 25 Hz matters because it is inaudible on most systems yet consumes headroom that the audible bass could use.
Add warmth to thin earbuds.
Give a podcast host a deeper voice.
Make bass audible on small drivers using the punch band.
Add weight to kick drums.
| Boost | 0–18 dB low shelf, 50–250 Hz |
|---|---|
| Punch | 0–6 dB peak at 1.7× shelf frequency |
| Sub-bass filter | 25 Hz high-pass (optional) |
| Protection | Auto gain trim + true-peak limiter |
Yes — use 3–5 dB at 100–140 Hz for a fuller voice.
Heavy sub-bass can; the 25 Hz filter helps prevent that.
Small drivers can’t reproduce deep bass, which is why the Punch band exists.
It's the identical engine, just opened with a sensible bass-boost starting point already dialed in — you can still adjust mid and treble too.
A large boost can push low-frequency peaks close to full scale. If the result sounds harsh, either lower the boost or run it through the Audio Normalizer afterward.
This tool runs entirely in your browser using the Web Audio API. Nothing is uploaded, stored or shared — there is no server to send your file to, so it works offline once the page has loaded.
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